Following the completion of her piano studies, María González studied harpsichord at the Escola Superior de Musica de Catalunya, Barcelona before entering the Schola Cantorum Basiliensis. There, she studied harpsichord and continuo with Jesper Christensen and gained her Master in Early Music Performance degree. María was involved in La Nuova Fabbrica dell’Opera Barocca, Milano, worked as an artistic assistant to Masaaki Suzuki, and has colaborated with conductors such as James Gaffigan, Fritz Näf, Erik van Nevel, Bernard Labadie, Filippo Maria Bressan und Alessandro de Marchi.
María González is a sought-after continuo-player, and she has been invited to perform with groups such as Basler Madrigalisten / Britten Pears Baroque Orchestra / Camerata Bern / Le Concert Lorraine / Luzerner Sinfonieorchester / Le Parlamament de Musique (Generation Baroque) / Montis Regalis Orchestra and with soloists such as Enrico Onofri, Sergio Azzollini, Maurice Steger and Manfredo Kraemer.
In 2010 María González began her work as coach and répétiteur at the Schola Cantorum Basiliensis, and she regularly teaches basso continuo and chamber music in the postgraduate departement of the Universidad Central de Bogotá and has taken part in many radio broadcasts and recordings.